What type of Financial Magazine is Right for You?

If you’re interested in building wealth, making any type of investment, saving money on taxes, or just managing your personal finances better, you don’t need some get rich quick scheme. If you’re not much of a book reader either, or you want up-to-date, relevant information, you should take a look at a financial magazine. There are a multitude of magazine publications out there talking about investing, finances, economics, and more money topics. Whether you read at a middle school level, or you’re a Harvard scholar, there is a financial magazine out there that’s right for you.

At the easy reader level, there are several publications geared towards individuals and casual investors and businessmen. These magazines don’t go into a lot of detail that might be unnecessary for the everyday reader, saving you time and brain sores Y2mate. Money is a magazine on this end of the spectrum that covers several topics including investing, homeowner tips, financing retirement or vacations, life insurance, and other everyday, common issues. If you don’t want detailed company profiles or hundreds of pages of statistics that mean nothing to you, you should consider a financial magazine on this end of the spectrum.

On the more serious end, there are publications such as Barron’s and Harvard Business Review How to late grocery store open. These both have longer, wordier issues and are intended for professionals in the fields of investment and business, respectively. Barron’s is a weekly investment publication published by Dow Jones and Co. and has a pretty high price point. Harvard Business Review talks about current business leaders and profiles them and their success. They do extensive case studies of businesses and management, making it an ideal financial magazine for any executive to learn from.

Other possibilities include SmartMoney, Inc., Entrepreneur, Fast Company, Forbes, Project Finance Yearbook, The Economist, and more. If you want an analysis of each of those publications, their target audience, topics covered, and customer satisfaction, there’s a Financial Magazine website that details all those magazines so that you can choose what’s right for you. Music news as we know it today developed out of the early magazines that caught onto the growth of the popular music industry early on in the 20th Century. Melody Maker was one of the first, introducing itself in 1926 (around the same time that the first electric guitars and amplifiers began to emerge) and targeting musicians. However, as music became more and more popular the music magazines of the day began to target the general public and the introduction of new, rival magazines hit the shelves.

The 1950s is when the real battle started with Melody Maker going head to head with the new kids in town, the NME, an amalgamation of previous titles Musical Express and Accordion Weekly by new owner and music promoter Maurice Kinn. Previously more interested in jazz, Melody Maker was a late convert to the advent of rock and roll, but as the sixties swung in favour of bands like the Beatles and the Rolling Stones, the ground was set for big readership figures for both publications.

The 1960s also saw the coming of more politicised voices to the publication of music news with the launch of the Berkley Barb in 1965 and Rolling Stone in 1967. Criticism of the Vietnamese war, the publication of Hunter S. Thompson’s Fear and Loathing in Las vegas and the counterculture revolution of the 1960s sat next to The Beatles, Jimmy Hendrix and Jim Morrison cover stories.

This political edge to music publication didn’t reach the British music news until the late 1970s with the dawning of the age of punk. However, the early 70s saw the introduction of a new rival, Sounds, which quickly became one of the three music weekly magazines to generate good levels of readership. It’s edge came from its ability to see the credibility of new musical movements like Punk early on.

The 1980s would see a mixed bag of journalism in the music industry, with the hip-hop wars affecting the NME and a more populist standpoint reigning at Melody Maker until its intellectual renaissance in 1986. However, it would be the 90s that would see the story of modern British music journalism come to a head. The rise of Britpop and the introduction & success of monthly magazines Q (1986) and Mojo (1993) left Melody Maker without a clear audience or direction, and so in 2000 is ceased publication, merging with its long time rival NME, while Sounds bit the dust nearly a decade earlier in 1991.

Related Posts

Leave a Reply

Your email address will not be published. Required fields are marked *